定位點
TTICC《臺東天光》系列展覽
更新 ： 2023-09-22
訊息內容
臺東縣原住民族文化創意產業聚落
TTICC LIMA展區《常設展》
特展《甦醒．臺東天光》
謹訂於
2022年 07月01日星期五 14:30
於 臺東縣原住民文化創意產業聚落
舉辦《臺東天光》系列展覽 - 開幕茶會
誠摯邀請您一同共襄盛舉
原住民族委員會主任委員 夷將 •拔路兒 lcyang Parod
臺東縣縣長 饒慶鈴
策展人 彼勇•依斯瑪哈單 Biung Ismahasan
敬邀
《常設展》將著重於對藝術相遇進行重新詮釋、人與土地的新關係，重新賦予藝術與土地的共通和鏈結，為提升原創聚落的創作能量，藉由邀請國內外藝術家進駐創作，內容涵括文創設計、藝術領域、影像、音樂或樂舞創作等，也希望透過各領域背景的文創及藝術創作者，於進駐期間除了能在自我創作或研究的領域實踐文化與生活創新理念，也能連結臺東的原住民族文化進行跨領域創作。這些創作的主角可能是藝術家、實踐家或文化工作者，讓彼此共同討論在氣候變遷中原住民土地、文化變遷和藝術再現的運動。以原創聚落「駐村藝術家」與「新銳藝術工作室」的歷年收藏之藝術品作為主要展品，近年培養藝術創作者並提供創作的實驗空間，以臺東日常生活和文化風格生活為輔，每個族群的風俗習慣，背後所承載的是先人們在這塊土地上，與山林及海洋相處而交織的智慧結晶，從進行議題式展覽規劃、設計到主題的定位，至部落採集題材，其目的推廣原創聚落精湛的藝術能量與成果。
This permanent exhibition’s objectives are prescribed by the Taitung Indigenous Cultural and Creative Industries Park (TTICC) and can be summarised as the preservation, research and educational turn associated with Indigenous cultural heritage and contemporary works of art of aesthetic excellence and historical or regional significance. This curation emphasises on reinterpreting the performative encounter between immersive installation and audience. The ultimate mission of TTICC residency project is to serve the Taiwan and wider communities by providing access to original works of art of the highest quality produced by the resident artists and designers. Through our permanent collection created by ‘Artist-in-Residency’ and ‘Emerging Artist Studio’, temporary exhibitions, publications, education, research and public programmes, TTICC art collections seeks to become part of the Taitung’s daily life of all Taiwanese. It attempts to champion art, artists, cultural practitioners and their ideas. These ideas are amplified by our curatorial approach through which displays of works from the collection are frequently changed – sparking new conversations and challenging historical narratives.
特展
《甦醒》從臺東的「紅藜」作為出發點，展出臺東縣原住民文化創意產業聚落 (TTICC) 之歷年駐村藝術家及新銳藝術工作室的館藏作品，探索植物、社群與當代藝術的微妙關係，從食農經驗、生命歷程及文化衝擊，擴張多元面向的藝術對話與行旅。此展體現當代藝術的另類新面貌，並確立將不同的文化時間性擺在同一個常民的LIMA展區中。臺灣多元族群不是一個單一的群體，每個部落、民族或社區都有屬於各自獨特的文化、歷史和現狀。也許最重要的是，每一位藝術工作者就像世界各地的藝術家一樣，將他（她）們自己的生活經驗、技能和個人風格帶到自己的藝術世界裡。如同此展核心著力於原住民族跨文化策展實踐，回應布農族本體論關係的手法 – maluskun mas dalah (回到土地、主權和共同工作) ，闡明布農族的自然共存、勞動共作與回到土地的主權概念，也意味著對地球的謙遜和恐懼，就像許多世界各地第一民族 (First Nations) 的文化一樣，它在文化和精神上都建立此基礎關係。
‘The Revival of Life and Consciousness in Taitung and Beyond’ re-interprets the cultural meaning from the ‘red quinoa’ in Taitung, and presents the works collected by the resident artists and cutting-edge art studio designers of the Taitung Indigenous Cultural and Creative Industries Park (TTICC) over the years. This exhibition explores the reciprocal relations between community-based conservation, plant and contemporary art. This relationship in between food and agriculture, life history and cultural shock may expand the multi-faceted artistic dialogue and encounter. At the core of this exhibition is trans-Indigenous curatorial practice, which has served as the principal means for responding to Bunun Nation ontological relationship with maluskun mas dalah (Earth: Sovereignty and Return to the land) – the Bunun concept of co-existence/dalah, which also means humility and fear toward the earth, and like in many First Nations cultures, posits a grounded relationship both culturally and spiritually.
